November
21 - Nottingham - Rock City
22 - London - Dingwalls
24 - Liverpool - Lomax
25 - Edinburgh - The Liquid Room
26 - Glasgow - The Garage
27 - Sheffield - Sheffield University
29 - Manchester - Jilly's Rock World
30 - Leeds - Irish Centre
December
1 - Whitley Bay - The Dome
2 - Leicester - Princess Charlotte
Hello, all. If you'd like to immerse yourself in some more of that M.E.S.
magic, check out his column on IndiePlanet.com. Mark has graciously
agreed to pen a regular one for us and we're very excited to have his
musings appear here. If you're interested you can read his first one at:
www.indieplanet.com/preview/columns10_13/col_music_smith_p1_2.html
It's a little hard to make out in places due to a reproduction issue,
but we'll get that sorted out soon. In the meantime, and as can be expected,
it's an interesting read.
Stanza 2000, St Andrews, 6th October:
Rob McIntosh:
If you like the fall, you probably enjoyed it as much as I did - if you
like poetry, you probably enjoyed WN Herbert more. 25 mins or so: amongst
the collage: epigrammatic dream, cd in your hand, english glasnost, idiot
joy showland, sons of the utmost east (?), dissolute singer (encore of
life just bounces with MES and WNH sharing mic and words between them).
10% new material I would say. Lyrical mystery cleared up (mystic jog-suits).
Stefan's put up the "I Am Curious, Orange" Edinburgh Festival programme:
http://www.visi.com/fall/gigography/kurious_1.html
Many thanks to Alan Hamilton for scanning it in.
Paul Wilson:
I'm reading David Bellos' biography of Georges Perec (he who wrote a novel
without using the letter 'e') and a quote from Wittgenstein jumped out:
"That is how it is with great works of art. If only you do not try to
utter what is unnutterable, then nothing gets lost. But the unnutterable
will be - unnutterably - contained in what has been uttered."
Ludwig Wittgenstein, letter to Paul Engelman
Paul Saxton:
Smith and Bellos once met on that late night Granada TV arts programme
fronted by Tony Wilson in the late 80s. Bellos was talking about Perec
(specifically Life: A User's Manual) who Smith reckoned he liked, describing
his work as "very economical." Smith was wearing a blue polo neck top
and consequently had a disembodied head throughout. Very odd.
Etan:
Amazon has the delightful cover to Cambridge 1988 up: http://www.amazon.com/exec/obidos/ts/music-glance/B00004XNS2/qid=971548915/sr=1-2/103-1778779-8808655
Finally, the subject of comedy dogs has been absorbing Fallnet this
week:
Peter Reavy:
A wonderfully sinister circus site with musical clowns from Belgium, a
Danish sealion act and some comedy dogs.
http://www.veress.se/mikesanger.htm
Toby:
Yes, have the Fall ever considered incorporating comedy dogs into the
stage act? You can clatter into Lie Dream of a Casino Soul, then Mark
can shout "hold on.. hold on" and turn his back to the audience to fiddle
with an amp/drumkit/guitar. While this is happening, a troupe of comedy
dogs can trundle across the stage, juggling small brightly coloured balls.
Mark will pretend to be oblivious to this, continuing to fiddle with the
amp/guitarist while the audience all shout "behind you!" Then, just as
the dogs disappear stage-left, Mark can turn round, pretend to be bemused
by the laughing audience and once again clatter into Lie Dream. You can
repeat this several times for maximum laughs.
Pete:
F*cking superb, I would pay good money to see that. You could also have
the drummer stop mid song, walk round to the front of the kit, staring
at the bass drum and scratching his head. He then removes the front skin
and inside is a fluffy poodle wearing shades and playing a toy piano.
All the audience go "ahhh!" as the smiling drummer holds the poodle up
to a mic - he's playing the sax riff from Bremen Nacht! The whole band
join in to roars of approval from the audience. You could have a clap-along
bit later on.
I really think we're onto something here.
Peter:
I'm Going To Spain: a terrier walks on wearing sunglasses and comedy sombrero.
It then barks.
Chris:
How about Dubsky's Sealions barking the "you pep!" parts?
http://www.veress.se/dubskyssealions.htm
Which brought us onto the sad scarcity of dogs on Fall LP covers:
Chris:
Since The Fall seem determined to have their CD cover art be crap from
now on, I have created an alternative cover for The Unutterable, feauturing
the ghosts of the Comedy Dogs:
http://www.vulturous.com
Fin:
Ham-fisted alternate covers, you say?
http://www.physics.gla.ac.uk/~fmackay/dogsinister.html
http://www.physics.gla.ac.uk/~fmackay/cerebralcanine.html
Jon:
http://brokenhomes.com/images/newthingdogs.jpg
Chris:
http://www.vulturous.com/shiftwork.gif
http://www.vulturous.com/draygos.gif
David:
http://www.wes.ukgateway.net/Fall/html/rex_enduction_hour.html