Fall News | 29 April 2001
This is the latest news and gossip off FallNet for those with weak stomachs.
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010409 NL gig reviews
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Alan McBride:
Mark E Smith, Spoken Word Performance, Trinity College Dublin, 12th April
2001
True to form, Mark kept us waiting an hour from the 7:30 billed start, and
for the latter half a fallesque techno track was played on a loop, which did
much to raise the air of expectancy and quite a bit of tension too. Fifteen
mins before taking the stage, we were treated to a blast of 'whup whup
whup...' from backstage, so the marquis of sad was at least in the house.
Stage had plain table as at previous incarnations of this show in Holland
etc. Minidisc player/recorder and a couple of mics on table. Behind, cheap
PA speaker with there stacked chairs in front, on top of which was parked a
curious contraption - a mic enclosed in a box-like-thing constructed with
cardboard and tape, perched a touch precariously agains the speaker.
I was there with two unwilling victims (bro' in law and partner) who I'd
duped into leaving Mulligans to walk the couple of hundred yards across to
Trinity Colege by telling them it would be a short lecture on the works of
horror writer lovecraft - a small white lie. Not fall fans, but admirers of
Mark Smith the spectacle, the persona, they were pleased enough when the
discovered what they were actually in for, but as we waited longer and
longer they despaired - 'of all fucking nights to keep us hanging around -
tomorrow's good friday so every bar and club in the city shuts up at
midnight sharp!'.
So on he comes to Enigramatic Dream followed by CD in Your Hand, all read
almost precisely as it sounds on Post Nearly Man. Mark dismantles the mic
contraption, clumsily dropping it ('it's not part of the show - just fuckin'
you know...' he says), pulls over the three chairs and tries to free one
clumsily from the stack - this was Mark in mic-stand-walking mode. The
sniggers at the unfortunate comedy of this quickly gave way to sniggers and
more outright laughter at some of the comic gems scattered throughout Mark's
fractured prose-poems - 'keep your cap on your pen and your dick in your
pants', 'get on dick and judy sat next to fred west sweaty family' or
'educated voices wind me up...ignorant voices wind me up...but middle-class
middle-of-the-road voices _really_ wind me up'. As he says in Devolute -
'what would life be like without music and comedy, comedy and music'.
Mark launched into a precisely delivered reading of the straight lyrics of
'Idiot Joy Showland' and they do sound good that way (he even paused between
verses where the riff would have been). We also got a straight reading of Lucifer Over Lancashire later.
There were a couple of new spoken word tracks a-la post nearly man, one with
a piss-take on automated phone ansering menu things - 'if you are forty
years old...press one...if you are over forty and...' - can't remember the
quips in this but it was a funny track. In one track he said '...and now
comes the really terrifying part...' and with a lightning fast and
pronounced flurry of wrist he flipped out his top teeth and carried on with
the reading. Most tracks were read from the usual pile of random notes and
jottings on different scraps of paper - he leafed through all this with an
affected randomness, often aborting one and cutting straight into another.
Just as I was straining not to heckle for Devolute, we got Devolute - Mark
over-laying a vox on top of the already-layered track - didn't really
deliver on the potential though. Over the slow-softly-sung parts he ranted
parts of The Caterer - that sounded good.
Some of Mark's performance skills were very evident in the show - his
mastery of timing, both the metering of delivery, intonation and emphasis of
each line, and pauses in between. His crucial ability to switch seamlessly
between a tense and somehow threatening declamatory tone and a softly
lyrical lullaby delivery. And, of course, the sheer infectiousness of those
frequent moments when he's barely containing his sardonic laughter as he
speaks. There's a real clue to Smith's charisma in the way he brings a
whole audience with him when his face collapses into mirth, or clouds over
suddenly with a dark and usually inexplicable barely supressed wrath. We
had lots of the former and none of the latter tonite. Mark seemed confident
throughout - seemed to genuinely enjoy himself while not taking it to
seriously, same with most of the audience I figure.
I don't think the minidisc on the desk was being used for the background
effects - I figure all that was controlled off-stage - so to me it looks
like he was recording the show, so maybe we will have samples on the new
spoken word tracks on another post nearly effort or the next fall album a la
devolute. Certainly hope so.
The show was in two parts - with a fallesque musical interlude. After the
second part Mark returned and sat down but said 'that's all I have to say
really...' and left again - maybe he had been expecting questions - the only
one shouted up was 'are you coming for a pint mark'. After stage exit, from
off-stage, he barked into the mic something about the Red Box gig -
'apologies for red bo in december' I think, or maybe it was 'were you at red
box in december'.
Tonight Smith
was warm, affable, amused, tolerant and didn't seem to hold the audience (at
show or in pub) or himself in contempt, which made a nice change. He made a
quiet exit from the pub after a time.
From: "Maurice Leahy":
Short, v.original and highly entertaining. V.effective when he switched to his natural voice and shared something with the audience. If only he did this more. Recited lyrics from 'Idiot Joy Showland', 'Lucifer over Lancs'. Hardly a pause between readings. Sat quietly at one point as if just reading at a table at home while a tape played in the backround of two people discussing the film 'Gladiator' and the oscars - v.funny.
Apr 16/ Newport TJ's
Steve Uzzell:
I read someone here complaining about the latest
lineup of 'session musicians'. The band I saw, half
Mark's age and clearly energizing the old hobgoblin
like a shot in the arm, were terrific.
....absolutely fierce with guitar licks aplenty from the pink floyd man. As
musicians, these boys piss all over the unutterable crew. One of the best
vocal performances from Mark in a while - he usually gets it together most
when there is something to prove. As I'm sure you know, they played Damo
Suzuki.
garston:
Oh come on, it wasn't that good. Definitely had a sessiony feel about it.
Damo Suzuki was an unexpected treat, though. What I most enjoyed was the
slacks/curly perm/slingback nature of the event
Greg:
They were so much better than the last time I saw them at Level3 in Swindon.
Very raw and they all looked like they were enjoying it!
Apr 17/ Brighton Concorde 2
Chris:
A bit surprised at some of the cool reactions to the tour. The only thing wrong about Brighton was that it ended prematurely, possibly in part because of the fat tosser who got up on stage to hassle Smith. Smith said 'You are not going to faze me pal', but maybe he was fazed. Either way it was disappointing having schlepped all the way down there to be short-changed. Especially after a brilliant Two Librans, the best thing I've heard in years. Anyway, my Fall virgin Spanish friend was suitably impressed by proceedings. Or perhaps appalled - not sure which. At Oxford things were even better, Smith in top form, happy, gulping down mineral water, having a right good laugh to himself at one point. Dr Buck and Damo were outstanding. The new lads are fine I reckon. Alright, the guitarist could tone it down a bit and keep it simple, but at least he doesn't spray us with Stella.
Apr 18/ Maidstone The Union Bar
Apr 19/ Colchester Arts Centre
Chris:
Last words from Rich Kidd before entering the venue: -At least he won't
have had time to teach them "The Joke" yet...
Things I've never seen before at a Fall gig:
I loved it, anyway. Most energetic I've seen them since...well, ever. I
also witnessed the most accurately hurled plastic beermug in the history of
bottling -two guys came onstage during one of MES's refreshment breaks and
sang Hot Runes to general audience displeasure, some fine Essex lad got
them both on the head with one glass. And yes, they played "Damo Suzuki", a
dense muscular version.
Rich:
Venue was
an old converted church with gravestones inset in the walls.
The Joke
The new drummer Spencer is ace, really looked like he was into it. Mark
looking uncharacteristically healthy (J. Higgott: "I think he's put on
weight"). Guitarist and bassist tight and professional, but playing with
the slight detachment of those doing someone else's tunes. Apart from the
crap Antidotes, they sounded better than Nev & Adam. Highlights: Damo, Way
Round, and the bits in And Therein where the bassline dropped into
Container Drivers.
Andrew:
Hearing Damo was so cool, I phoned 2 mins of it in to my answering
machine so my old-school Fall fan flatmate could hear it (though all
it sounds like is MES trying to shut the kids up at a school trip to
the baths). Back at the venue, it got a depressingly lukewarm
reception. Mr. Pharmacist produced the biggest crowd response.
Other highlight for me was probably "African Man": based on little
more than a single heavy, slowly rising riff, this could be a classic
if they record it. The closest The Fall have sounded to doom metal.
I quite liked how, during "Hot Runes" I think it was, when MES had
been offstage and others had to do the vocals, MES came back on,
didn't see, or ignored, where they'd left the mic, and decided to mug
about speaking the vocals and pretending to hold a mic until someone
handed it to him.
Apr 20/ Norwich Arts Centre
Paul S:
First off, I'll show my hand and declare that it was the worst Fall gig I've
ever seen - and boy, have I seen some stinkers. It's difficult to pinpoint
exactly why it was so bad but I do know that I was bored rigid all the way
through. The band were competent, tight and all that, but there was little
excitement or variety. They sound like a better than average pub rock band.
The fact that the guitar player sounds as though he could "play Stairway To
Heaven if he wanted to" speaks volumes. The songs were (apart from Damo and
an aborted Paintwork) completely interchangeable - the same stomping, sludgy
rockabilly type noise all the way through. Smith was indecipherable and,
although reasonably healthy-looking and in okay spirits, looked as though he
would much rather have been somewhere else - he was going through the
motions. Nice shirt though. They came on late, at about 10.30, and played
for an hour. They started with (sigh) The Joke and went through much the
same setlist as every other gig on the tour.
I don't know, I found it all quite depressing to be honest. The only light
was Julia who proved yet again that she's the best thing to happen to The
Fall musically in many a year. The new lads looked just like that - new
lads. They could have been anyone and, as Michael said, I got the
impression that it was just money for old rope for them. It'll be
interesting to see what plans Smith has for them and whether he can rein in
their tedious rockist tendencies for the next album (assuming they'll be
around for the next album).
Is the game up then? Probably not. But it is worrying that The Fall
sounded like a spent force. Whatever they've done in the past, they've
hardly ever been boring - but they were that night.
Apr 21/ Milton Keynes Woughton Centre
Paul H:
MES spoken word intro tape - something about football
Not a good one. MES looked and sounded wasted, and the band were just going
through the motions.
The new guitarist does these rockist embellishments which do absolutely
nothing for the songs except detract from their beauty and purity. But at
least Antidotes really IS Kashmir now.
michael:
I didn't think it was all that bad. They looked like they were enjoying
themselves, which I suppose isn't something you expect with The Fall but I
don't begrudge Julia that at least after the experiences of the last few
years. I can't remember seeing Smith look so happy - didn't look wasted at
all to me.
However, one reason why the new guitarist, bassist and drummer were enjoying
themselves was because for them it was probably money for old rope - they
could have played this stuff in their sleep. This was my first experience
of hearing Spencer's drumming and he's an absolutely brilliant drummer, no
doubt about it. It was just a shame that he's such a dickhead. During the
last encore (was it Midwatch? I didn't recognise it - just Spencer and the
guitarist in fact plus guest vocalists - a right farrago that would never
have happened with The Real Fall) he threw, at high velocity, a near-full
can of Becks, straight into the back of the audience and damn nearly injured
my friend Robert. On a par with Michael Clarke's chair-throwing that one.
Highlights of the set for me were Dr Buck, Ketamine Suns (v.intense), and
Way Round. After that Smith just seemed to lose interest. African Man
seemed utterly pointless, Smith read the words off a bit of paper like he'd
never heard the song in his life. This was the
first time I'd seen them with Julia for a while and she makes such a
difference, as long as she's in charge I reckon the next album will be OK.
She is in charge, isn't she?
The Joke featured some line about "The Penny Lanes, in Brighton, and
Strawberry Fields Forever", but don't ask me what that was about. At the
beginning of Damo Suzuki (I think) Julia was playing some dramatic keyboard
bit on her own and MES, laughing, said "Tomorrow we are... to be married"
then went off backstage to snigger to himself.
The Woughton Centre seems to leave people with a horrible impression of
Milton Keynes, it's a shame it's the only large venue we've got, but mostly
this place is lovely. I've seen The Fall in plenty of fucking dumps worse
than this one, and they don't always get the kind of warm reception they got
here (Smith looked genuinely surprised by this). Don't leave it another 15
years, chaps.
Paul W:
First impressions of the new drum/bass/guitar was weird haircuts. Bass
player in particular looked like a Saturday boy in Maplins. Slickback.
Drummer had razor point widow's peaks. Guitarist fits the Craig Scanlon
mould physically, and seemed more than pleased with himself. Mark seems to
have a soft spot for the bass player as he was close to hugging him on a
couple of occasions. Smith seemed, as has been said, happy and cheerful,
but I reckon he got more than bored with things by the end as he didn't seem
to be putting that much effort in.
As Michael has said Julia is pretty much in charge and seems to play more
guitar than I remember. All in all the group were pretty tight. Drummer
good: more into things than Tom seemed.
Encore number 2 was fucking diabolical. The band had left, bar the drummer.
Guitarist thought twice and then strapped on the axe and started playing
some stuff (technical term), which didn't seem that interesting. In my
memory two different singers came on during this time. By the second, it was
like the Mark E. Smith revue and worse than It Ain't Half Hot Mum. Guitarist
playing out some 'so chuffed to be here' pose. He kept grinning all though
the gig, as Mark was fucking about with things.
I got the feeling that this band are pretty much in the same state as Adam,
Tom etc. were before the Marshall Suite: being drilled into things and not
stretching themselves. Not great but not terrible. My suggestion is to get
Seafood's drummer as 2nd drummer: she looked out from under a Reni style
knitted beanie hat throughout and could hit them skins pretty hard. Seafood
were poor I thought.
And why the uniforms? Why don't they go the whole hog and DEVO themselves to
the max: I vote energy domes and covers of Huboon Stomp and Uncontrollable
Urge for the next tour.
Steve:
It's taken me a while to reply to these negative
reviews of Saturday night, because I am really quite
amazed. I think you guys are very demanding.
The band were muscular, very tight, clearly having a
good time and enjoying each other's playing. The
Unutterable songs (great as they are on disc) sounded
even better live, they really took on loads more depth
and attitude. The audience loved it and Mark seemed
particularly touched by their affection. Admittedly it
became a little shambolic towards the end (the Road
Crew set we could have definitely done without), but
apart from that it seemed to me like a pretty perfect
Fall gig.
Maybe you were all lucky enough to see them at some
kind of Career Defining Early-80s Zenith. I wasn't.
I've seen 'em a few times in the last 10 years though
and the two gigs I saw last week (Newport/MK) were
awe-inspiring. To me, at least.
Thought the T-shirts were absolute shite though.
Michael:
Local rag review of Milton Keynes gig - it's fun trying to guess how familiar this guy actually is with The Fall... (lyric ref is from Dr Buck I think, no megaphone was used this time, and The Fall were on stage by about 9.30)
"...and Smith even cracked a smile!" by Richard Cooper
Mark E Smith and his band The Fall were in fine form when they performed at the Woughton Centre last Saturday.
There was some anxiety before they played, as time was marching on and they looked as if they might have gone AWOL.
When The Fall eventually appeared, they launched into a raw set made up mostly of songs from the new album The Inutterable (sic), plus old favourites such as Mr Pharmacist.
Smith, who was dressed in black, had a passing resemblance to Alex Higgins and looked as if he had seen better days.
He appeared to have complete contempt for his audience as he snarled his lyrics, which sounded as if they were projected through a megaphone.
On their recorded material, Smith's lyrics completely shine, but unfortunately they were completely incoherent and the only words which were recognisable were "JD Saling-jah, Catch-ah in tha Rye-ah".
But this did not detract from the overwhelming performance.
Apr 22/ Oxford Zodiac
diw:
Made it to Oxford last night at about 10 pm, so missed the first few
numbers, entering the hall to Cyber Insekt. Similar to previous reports though. We did get
Damo, Paintwork and Mr Pharmacist, the usual Unutterable stuff.
Dominant instrument was Julia's guitar on most numbers, with stripped down,
minimalist bass prominent when J reverted to keys. The other guitarist spent
much of the second half tuning or replacing bust strings (interesting to
note how the 2-halves plus extra-time format has become standard - a good
thing in my book). I didn't miss him.
MES? Oh yes, him. He was there. Regular performance.
Konrad:
The Joke
Not much more I can add - see this and previous reports. But why play
the same song twice? Felt slightly swindled by this - just as well
it's a corking song. Have the band not learnt any more than this?
And will we get any new stuff? Seems like the Fall are turning into a
bit of a "Greatest Hits" band. Not like this old fossil is
complaining - two off TNSG and one off Bend Sinister. Woo hoo.
Although the dow-dow-dow dow-dow-dow-dow-dow-dow bit of Mr P by new
guitarist chappy was pants. Bring back Brix (and you won't hear me
say that too often). But I do have to say in 16 years that that's the
best live version of Paintwork I've ever heard.
Christopher:
My prayers were answered. A good tight gig. MES on top form. The crowd were in high spirits. All us old farts down the front, we give a rousing reception as Julia and the new lads march on. MES enters seemingly in a good mood, grinning in acknowledgement, sober as a Judge. He seems happy. "Thank God" I think. You hear such horror stories...
Julia looks at home. She was very accomplished and confident, totally in control. Again backing vocals needed turning up. Good on the girl, nearly ready to enter The Fall Hall of Fame.
MES has a little banter with the new Bass Lad, and drops a spare mic in the bass drum that produces a satisfying 'Thud, thud" New drummer was good - very energetic in a 'get yer head down' style, and more like Tom than Wolstencroft, but maybe that because he's doing the recent numbers. Lets see him develop.
Our guitar man is very tight and very 'Fall' taking everything in his stride. During 'And Therein' he breaks a string, fiddles to no avail, gives up and has a ciggie while a roadie fixes the problem. Julia covers professionally. MES soldiers on, it's his way.
A dash of MES irrelevence: "Who wants to be a millionaire?! You invented it, we're givin' it to you." He laughs. So do I. He deals with a bloke who endlessly recites old lyrics of yore by having a quick arm wrestle.
He does the rounds, faces us, crouches behind the drum kit, reads from notebooks, cleans his fingernails, bangs the mic. All the hallmarks keep me grinning.
I have to say I like this squad system he's operating nowadays, fresh and unpredictable. I'm the first to admit I was the grumpiest of the old Hanley/Scanlon loyalists, until the 'Marshall Suite' came out.
Half an hour in and he orders a walk off, just to keep us all on our toes. Three minutes later he's back with a little keyboard tinkering, before belting out another two numbers.
Highlights for me were 'F-Oldin' Money' with audience participation, 'I am Damo Suzuki' with great drumming, and a rousing 'Touch Sensitive'. 'The Joke' was a strong opening number and 'Paintwork' was not only reproduced well but was a popular crowd pleaser.
A minor critisism would have to be the middle bit 'Mr. Pharmacist was a bit of a non-event, but give the new lads time.
We were also treated to lyrics from 'Race with the Devil' and a hilarious 'African Man'. Band did very well - relaxed but focused. I look forward to this incarnation delivering another corker soon.
Set list (not in exact order)
The Joke,
Cyber Insekt, Two librans
F-Oldin' Money,
Touch Sensitive,
Way Round,
Mr. Pharmacist,
And Therein,
I Am Damo Suzuki,
Anecdotes,
Dr. Buck's Letter,
Hot Runes, African Man
Smurf:
Earplugs for me too.
Highlights: Damo, Paintwork
Lowlights: Two Librans (muddy guitar sound) and smashed car
windscreen.
Other highlight was 'And therein' ... guitarist lurked in the corner
waiting for string change then when finally gets guitar back plays 2
bars and song ends. Reminded me of the 'bass player trapped in a
coccoon' scene of the spinal tap film.
Apr 23/ London Mean Fiddler
Dave:
F***! (again) Arrived c.9.15 to lilting strains of Buck, all over by
10.05 and missed "Good evening we are the Fall" if any.
Two parts plus encore as before, lots of Unutterable, mostly fine and
improving, I thought; now-usual oldies Pharmacist (fun but not about
to change the face of... er... stuff), Damo (doesn't benefit from
noise onslaught treatment - better done minimally or not at all),
Antidotes (v. nice), Paintwork (great, or is that just an old fart
hankering after the album sound?); African Man I presume (can live
without yet another cover). Usual sporadic stage infiltrations /
ejections but no noticeable horrors. Hope they're not about to turn
professional.
If this all sounds familiar, I blame misguided Fallnetters for
telling us what was coming and making it all a bit predictable - next
time why not just say "it was utter crap" and we can be pleasantly
surprised (for anyone going to Birmingham or Macclesfield - this tour
is utter crap, and the last two gigs are certain to be the worst,
with three Oasis covers apiece). Beware the intermission - not even
long enough for a pee (the most important item of information, which
reviewers omitted): what kind of musicianship is that?
I see what people mean about going a bit through the motions, but I
can forgive the Fall anything except Jungle Rock, and I can forgive
anyone almost anything (except Jungle Rock) after having to spend a
Saturday evening in Milton Keynes. I thought MES looked quite well
after all the recent cadaverous rumours, and might even have enjoyed
himself once ot twice. But what did "Thank you, good night" mean? Has
anyone else heard this unfamiliar expression?
A fun but truncated night out, but no teeth stunts, disappointingly.
I'll be back. Presumably the "best of" repertoire will expand in
time - I just hope it doesn't include Jungle Rock. Maybe one day
they'll be Status Quo, what the hell, just enjoy it. An eerily quiet
performance, though: where's my eardrum buzz (or are the fans of
today just a bunch of softies - or am I deafened by decades of self-
abuse)? And my mum used to let me stay up late, so why won't the Fall
(unless it was the venue's fault)?
Dave
diw:
This is London ...
... where a major headline act takes the stage at 9pm sharp, bar closes at
10pm, band finishes at 10.05pm and audience forcibly ejected by 10.15pm.
I met two unfortunate Fall veterans (since c. 1982) in the Moon in the
Gutter afterwards who, having paid 13 quid for tickets, turned up at 9.50pm,
not unreasonably expecting the Fall to take the stage at about 10. Did they
whinge? Not a bit of it. Privileged to have caught the tail end of Paint
Work. That was enough.
Fall fans. Salt of the Earth.
The Fall: 20 per cent improvement on Oxford. Set much the same. Solid. One
of these days I must catch the start of the set.
Mark:
Last night's show...wow!
Spencer(?) on drums...absolutely top drummer boy.
Missed Adam and Nev and 'Hands up Billy', but hey, this is the Fall, squad
rotation and all.
Tracks played on the night:
1. The Joke
All in all I think this was a brilliant set. Mark was in the best form I
have seen in years.
He smiled throughout the night, encouraged the fans (whilst waving a hand
to the flow of music)
to sing 'Paintwork' before joining in himself! He gave over a really good
vibe. Spencer was the glue that
held the night together, giving many tracks from 'Unutterable' a very
Manc/Rock 'abilly treatment.
Less reliance on DAT backup this evening which made for a more raw
presentation to the night.
Julia made very little use of the piano, mainly backing up on guitar.
This ones GirlChick did point out that 'pedal-pusher' leggings and high
heels are a fashion no-no...but hey, Julia has been on the road for a
while.. and a Fall gig never made itself out to be a fashion statement.
All this AND t-shirts for £10.00 too!
8/10
anon:
This is how This is London trailed last night's gig:
Seafood: Where once this young, spiky London four-piece were criticised
for
their strict adherence to their American influences - detuned guitars,
copious feedback and sweet melodies - the passing of time has draped a
beguiling shade of melancholy over their slow-burning rock of late, and
very satisfying it is too. Their songs tell of love and loss and the pain
of growing up, with the odd bit of feedback thrown in for good measure.
Just make sure that you've escaped the venue before shambolic headliners
The Fall hit the stage. Mean Fiddler, W1, doors 8pm, £11, 020 7434 9592.
Mind you, last time round the Fall were previewed as "smelly" so their
reputation is definitely improving.....
Anyway, correct me if I'm wrong but when you go to a Fall gig, the very
last thing you want to hear at the start are the opening chords to The
Joke. Well that's what we got last night - AND IT SOUNDED ABSOLUTELY
FANTASTIC. I can't recall the last time the Fall had such an overwhelming
powerhouse sound. It was extraordinary. The pleasant surprise/astonishment
rivalled the first time I witnessed the Neville/Adam/Tom line-up. It's
certainly put them on a far more professional footing. (Apart from the
stellar sound, even the lightshow seemed unusually slick at times). MES
was in excellent voice too, looking and sounding totally authoritative and
the recent resurgence in ad-libbing shows no sign of dimming. Good to hear Damo Suzuki and a
positively joyous Paintwork - but they've really got to put And Therein
and Mr Pharmacist out to pasture. I think I would rather hear an acapella
version of Ed's Babe than suffer those again. I feel positively queasy
every time I hear them nowadays - so God knows what it must be like to
perform them at every single gig. No sign of MES's cream strides - unless
of course they've turned pitch black due to a week's worth of encrusted
dirt. The new song sounded very promising - especially when it revved up
and the band unleashed a blizzard of noise. Then again, I could've sworn I
heard a line from Ol' Gang in the cacophony so maybe they'd revamped that
as well. In fact, apart from the faithful renditions of the oldies, all
the recent stuff had been reworked to varying degrees, which really
highlighted Spencer's amazing (but non-flashy) drumming, especially on
Cyber Insekt which sounded much punchier than on record. Highlight: a
stunning Way Round followed by Antidotes which is never going to be my
favourite Fall song but here sounded absolutely ferocious. You could tell
at times that the guitarist was itching to add unnecessary frills to the
Fall's essentially stripped-down sound.
Apr 24/ Birmingham Academy 2
David:
Saw the band at the foundry about 18 month ago - only played 40 minutes - atmosphere a bit strained (according to the wife).
What a difference this time around ! Band played twice as long, MES out of his face - band obviously enjoying selves - smiles all round.
Highlight of gig was absolutely storming version of "I am Damo Suzuki", with drummer obviously relishing the Can style drum patterns.
Left wife at back (ear trouble) to mosh at front - returned to find she had been approached by and spurned man with manc accent selling Tshirts (I'm with the band, me). No free Tshirt there then.
Apr 25/ Macclesfield Bar Cuba
Chris:
I reckon this is about the 20th time I've seen The Fall and after a half
hour drive out of Manchester which meant i was unable to get tanked up i was
sort of half expecting one of those Fall concerts where you leave feeling a
bit disappointed. I hadn't seen them since I went to Jilly's a few years ago
and that wasn't the greatest.
But after a few seconds I realised that "the new" Fall have managed to
re-capture everything I have always loved about the band. MES even appeared
to be enjoying the gig as much as everybody in there. For the first time I
saw them do classics such as Damo Suzuki and And Therein which fit in
seamlessly with newer classic like Touch Sensitive and Antidote. The whole
gig was high energy and thoroughly entertaining. To be honest it was without
doubt the best Fall gig I have ever been to. And I've been to some absolute
belters.
Dave Harrop:
This was an awesome performance. I nearly didn't go, but was so glad I did.
They came on just before 10.30 and played to about 11.40, with a blistering
set that included, not in order:
Africa Man
Mark was focused, and clearly enjoying himself even allowing himself the odd
smile, and accepting a pint from the audience which he sipped but then handed
back.
Fantastic versions of Damo and Midwatch, very lively crowd, but I couldn't
help feeling I was watching this with a couple of hundred clones of my dad
aged about 40 (and sadly I was one of them).
Great night, the best Fall performance yet in my book...
Philip:
I've just digitised and uploaded a
Fall piece from 1978 by Ian Penman which I don't think has been put online
before. It's at
http://www.hyperprism.dial.pipex.com/nme_78.html
martin:
Good pics from the recent Dutch gigs posted at http://home.planet.nl/~kreme120/fallpics.html
From Timekode:
Many thanks for your enquiry. With regard to our 'Fall' tracks, the two
mixes of 'Cheap Space Chant' (single and extended) appeared on the first
Timekode CD which has sold out. Currently, the tracks are available only
on cassette and can be obtained by sending a cheque for £6 to:
D. Gibson,
Cheques only to be made out to 'D.Gibson'. Please allow 28 days for delivery.
FALL, THE Live In Zagreb CD (COG SINISTER)
Zagreb (Partial)/And Therein/Carry Bag Man/Sing Harpy/I'm Frank/Telephone Thing/Hillary/Hit The North/Bill Is Dead/Black Monk Theme/Tuff Life Boogie & Popcorn Double Feature
FALL, THE Live in Liverpool '78 CD (COG SINISTER)
Like To Blow/Stepping Out/Two Steps Back/Mess Of My/It's The New Thing/Various Times/Bingo Master's Breakout/Frightened/Industrial Estate/Psycho Mafia/Music Scene & Mother Sister
Chris: |
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